Call for Papers for LITERARIA: An International Journal of New Literature across the World Vol. 8, No. 1-2, Jan-Dec 2018
Call for Papers for LITERARIA: An International Journal of New Literature across the World Vol. 8, No. 1-2, Jan-Dec 2018
The cinematic vision is the lens that captures dilemma of ethics, aesthetics and logic in relation to physics and metaphysics. It reinforces the camera eye of human mind to revamp the past in terms of the present knowledge in order to reclaim the origin and history, besides to authenticate the fact of the human mind and nature. The cinematic visuals revert the understanding of practices, tensions and perception and contribute in seeking answers to cultural sovereignty or cultural slavery. The film directors, producers, screen-writers have been keen in presenting cinematic imagination viz-a-viz colonial structures, which mostly configures centralism, homogenizing influence of national-imperial opposition. The research articles and papers should attempt to answer analytically as well as critically with the help of their observations and cultural studies on the cinema - How do the postcolonial filmmakers resist oppositional strains of postindependence and pre-independence of their modern nation states? How do contradictory forces in a film reconfigure a new understanding of cultural politics and diverse epistemologies? How does a film challenge global concentration against dominant discourse of hegemonic culture? How do the film graphic, devices, techniques and cinematic strategies address nation, nationalism and decolonization? If the films redress such issues, then how do they absorb spectator-onscreen relationship to find alternative interpretations?
The research papers double-spaced, in not less than 4000 words and not exceeding 5000 words and book reviews in approx 1200 words should be submitted electronically in MS-Word and PDF file formats to the Guest Editor/Editors, at their e-mail addresses given below not later than 30th Oct 2017.
All papers submitted to LITERARIA should be original, neither having been previously published nor being considered elsewhere at the time of submission. Authors can send us the manuscripts according to the MLA Format given in the 8th edition of the MLA Handbook for Writers of Research Papers. Please indicate “LITERARIA: Ecological Perspectives in Literature and Media” in the subject line of all e-mail correspondence.
Guest Editor:
Dr. Jayshree Singh Associate Professor, Department of English Faculty of Social Science and Humanities Bhupal Nobles University, Udaipur 313001, Rajasthan, India.
E-mail: < dr.jayshree.singh@gmail.com> Ph: 9828375535
Editors:
Harpreet Kaur Bahri -
C/o BAHRI PUBLICATIONS
1749A/5, Govindpuri Extension
Kalkaji, New Delhi 110019
Ph: 9811204673, 9212794543
Special Issue on
(Colonial Imprints in Postcolonial Cinematic Eye)
The cinematic vision is the lens that captures dilemma of ethics, aesthetics and logic in relation to physics and metaphysics. It reinforces the camera eye of human mind to revamp the past in terms of the present knowledge in order to reclaim the origin and history, besides to authenticate the fact of the human mind and nature. The cinematic visuals revert the understanding of practices, tensions and perception and contribute in seeking answers to cultural sovereignty or cultural slavery. The film directors, producers, screen-writers have been keen in presenting cinematic imagination viz-a-viz colonial structures, which mostly configures centralism, homogenizing influence of national-imperial opposition. The research articles and papers should attempt to answer analytically as well as critically with the help of their observations and cultural studies on the cinema - How do the postcolonial filmmakers resist oppositional strains of postindependence and pre-independence of their modern nation states? How do contradictory forces in a film reconfigure a new understanding of cultural politics and diverse epistemologies? How does a film challenge global concentration against dominant discourse of hegemonic culture? How do the film graphic, devices, techniques and cinematic strategies address nation, nationalism and decolonization? If the films redress such issues, then how do they absorb spectator-onscreen relationship to find alternative interpretations?
The research papers double-spaced, in not less than 4000 words and not exceeding 5000 words and book reviews in approx 1200 words should be submitted electronically in MS-Word and PDF file formats to the Guest Editor/Editors, at their e-mail addresses given below not later than 30th Oct 2017.
All papers submitted to LITERARIA should be original, neither having been previously published nor being considered elsewhere at the time of submission. Authors can send us the manuscripts according to the MLA Format given in the 8th edition of the MLA Handbook for Writers of Research Papers. Please indicate “LITERARIA: Ecological Perspectives in Literature and Media” in the subject line of all e-mail correspondence.
Guest Editor:
Dr. Jayshree Singh Associate Professor, Department of English Faculty of Social Science and Humanities Bhupal Nobles University, Udaipur 313001, Rajasthan, India.
C/o BAHRI PUBLICATIONS
1749A/5, Govindpuri Extension
Kalkaji, New Delhi 110019
Ph: 9811204673, 9212794543
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